So we are halfway through the 12 entries I committed to for the Summer with this post, and we have our first repeat co-star with Strother, Paul Newman. Most of you know that Jay was in at least six films that starred Newman, he was in a like number with John Wayne. Strother also worked with Lee Marvin several times and this is an entry that put the three of them together.
Newman plays an amiable cowboy type, trying to scrape together a living trading horses and cattle at the margins of the Southern border. A contemporary film (at least for 1970), the world of horses and cattle is different from what you might have seen in a traditional western, but there were still snakes in the story and Strother gets to play one of them.
Strother is Bill Garret, a cattle broker with a shady reputation who is working with middle-man Stretch Russell, played by Wayne Rogers. Stretch is hooking up Newman’s Jim Kane with Garrett to arrange a deal for cattle to be used in rodeos, a market Kane know next to nothing about. Rogers, Strother and Newman were all in “Cool Hand Luke” back in 1967, directed by the man who also directed this film, Stuart Rosenberg.
Jim has been warned by his Uncle to stay out of the deal because Garrett is known as a slick operator, but Kane has committed his life to following his first instincts and decides the job is probably worth it. He felt OK with Garrett and decides to trust him. He is a little cautionary however as the deal is being struck, and the following exchange takes place:
Jim Kane: Boy, if anybody cheats me, I’m gonna hit him with a Stillson wrench and shove him in a coal hopper
Bill Garrett: [chokes on his scotch-on-the-rocks] Well, if you’re gonna talk like that…
Jim Kane: Hmm?
Bill Garrett: [nervously; shuffling away a bit more] Well, if, ah, if you’re gonna talk like that, I’m, I’m-a just gonna move down the line.
I’ve heard it said that acting is really reacting, and Strother is a master of the reaction shot as you can see in the above image. Suddenly he goes from the confident business man with all the answers to a squirming suspect, defensively counter attacking as a way to get out of an uncomfortable situation. Still they proceed with their arrangement, conducting business in Garrett’s Cadillac.
Garrett proudly shows off his money-belt as he and Kane agree to the arrangement in his mobile office. It is an odd character moment, but it does increase the curious nature of Jay’s character. As is often the case in his roles, Strother’s character has an inflated opinion of himself, but he regularly reveals his insecurities in moments like this. At the end of the story, the knowledge that Bill Garrett keeps a stash in a money-belt becomes a point of action in the story.
For at least the third time in this summer blog series, Strother Martin appears in the opening and closing acts of the film only. Most of the movie takes place in Mexico, where Kane connects with his old friend Leonard, and the two of them try to acquire the cattle and move them North, while encountering the exotic business practices of another culture. Hector Elizondo appears in this sequence as a Mexican businessman that the two encounter. Leonard thinks he understands it all, but he frequently gets it wrong, and Kane just does what he thinks is right, but that does not always go down well in this world.
When the problems pile up high on the trail, and the cattle end up quarantined, just as a herd of horses that Kane had brought up from Mexico before the deal, Kane has to go looking for Stretch and Garrett to make amends with his expenses. This is where it gets around to the slippery nature of the characters. Neither has outright lied to Kane, they instead use their professional relationship as a shield to try and indemnify themselves from the bad luck. Newman is having none of it and he and Leonard start to play it a little rough to get satisfaction.
Garrett tries to pass it off as the tough luck that everyone has now and then, but his brush off does not deter Kane from pursuing him. In a confrontation in a hotel room, the four principles all face off with one another in what is certainly a moment of great star power.
Kane tries to keep it simple,…”You owe me money!” A little rough housing occurs and Newman ends up straddling Jay on the floor, looking for the money-belt and the $517 he feels is still owed to him.
Garret is a master of passive-aggression, he deigns himself as the wronged party. He wonders who Marvin’s character is and why he is being physically abused.
Jim and Leonard never get their money, and they spend what is left of the film, visualizing how they might have gotten some revenge on Garrett, but it is all talk. There is really not much to the plot, there is no real resoulution and no moral to the story. This is simply a shaggy dog story about a group of losers, tring to make due with the schemes they come up with. No one is really evil, even Jay’s character is just craven, not dangerous or cruel. He is just looking out for himself and that’s what everyone in the film is doing, but not very well.
Strother does not get a title credit, heck only Newman, Marvin and the Film Title are listed at the start of the movie. Strother and Wayne Rogers shared a frame during the end credits, and that makes Jay the third lead. The second frame here is a little unique, it does list Strother as a Co-Star and this frame is from the trailer, so there must have been some cashet to his name.